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In that, even the casting becomes groundbreaking.Įven the casting is groundbreaking … Salim (Omid Abtahi) in American Gods.
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We see vulnerability laid bare upon a hotel bed, when the weakened Salim meets another worn soul – no matter how fantastical – and each offers the other refuge from their loneliness.Īnd it all happens between two gay Muslim men, a section of the population stigmatised from all sides who barely get a look-in on mainstream TV. But the sequence is more than simple titillation it is a truly evocative and emotional vignette. Salim offers the djinni his hotel room number, and what follows is arguably one of the most explicit man-on-man sex scenes ever aired on mainstream television. The djinni jokes that people always ask him to grant wishes. Their conversation becomes meaningful, as the two discover more of one another from the confines of the cab.
#American gods gay sex scene driver
When Salim attempts to wake the sleeping djinni, who has dozed off in the drivers’ seat, he witnesses what his driver truly is with a glimpse of those fiery eyes. The two sit in the city traffic and engage in small talk about their lives. And in Sunday’s episode, we saw an Omani salesman named Salim (Omid Abtahi), face worn from the trials of his tedious job, step out of the rain and into a taxi – which happened to be driven by a djinni in human form (played by Mousa Kraish): a supernatural creature from early Arabian and Islamic mythology, with fire burning in his eyes.ĭjinni in human form (played by Mousa Kraish) drives the taxi in American Gods. Moon is taken on a journey of deities and mystical creatures, who are living in uncanny harmony with our world.Įach episode includes a “Coming to America” sequence, which depicts how these divine beings interact with humans. (“You guys need to go back and figure out where holes are,” showrunner Bryan Fuller told the team.) And it presented the very kind of sex conservatives have worked so hard to stigmatise – a random hook-up between strangers – with an intimacy that’s never been shown before on mainstream TV.īased on the Neil Gaiman novel of the same name, American Gods follows the journey of an ex-con named Shadow Moon, enlisted as the bodyguard of an actual god – one of many brought into existence by the sheer belief of their worshippers. It involved CGI penises and a very evident climax, with sexual positions that had to be re-shot after complaints from the editing suite. It also features Ricky Whittle, Ian McShane and Emily Browning.But this week’s episode of American Gods seemed woven from the nightmares of the far right. The fantasy show presents a modern day take on Greek mythology about the power struggle between the traditional gods of mythological roots from around the world. A great loving fan base for Neil Gaiman and his work." "How they've responded to me and Omid as the Jinn and Salim have been so positive that I'm just happy that I'm doing all the fans justice. He said: "Following the responses on social media, I am struck by amazement how much the fans are involved with every moment and how they've responded to this chapter in 'American Gods' in particular.
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Kraish said he was amazed by the overwhelmingly positive response, reports .uk. Several fans praised the episode for breaking boundaries, labelling it 'romantic', 'tender', 'arousing' and 'sensual'.Īnd television critics including the New York Times's Abraham Riesman have heralded it as the most erotic gay sex scene in network television history. Abhtahi plays Salim, an Omani trinket salesman, and Kraish plays a Jinn, a nameless mythical creature from Arabian and Islamic mythology in the show, which is based on Neil Gaiman's novel of the same name.